Interview met Jaap Blonk op Jacket2
Op Jacket2 is een interview te lezen met de Nederlandse dichter/performer Jaap Blonk. In het interview zijn ook videofragmenten verwerkt waarin Blonk bepaalde principes van sound poetry demonstreert. In onderstaand fragmentje vertelt hij over zijn beginperiode:
“Artaud has been very important to me at the outset, when I first began performing voice. Actually, this was in the early eighties — at that time I was just starting with the whole performance thing and I had been in a group of people doing poetry presentations with instruments — people reading poetry by (mostly well-known) poets, accompanied by musical instruments and I was the composer for this initiative. I was not allowed to recite poems — they thought I was not doing it well, at least not in a very convincing way. At some point, the group was planning a performance of Surrealist and Dada poems and there were a few leftover texts which nobody knew what to do with, but they wanted to include in the program. And these included some work by Artaud, and I thought, “Let me try it.” And so, that really felt very good for me to do that and especially the Artaud. This was not sound poetry but translations of some poems of his. We found it very interesting, the whole concept of style, and there’s a famous poetry quote: “Whatever I write I’m going to burn it on the next day, because it’s no longer true.” So these texts were building up an intensity, which helped me go, sort of, across the barrier of madness onstage. So I did that. There was an authenticity to it that I heard — it wasn’t embarrassing to me, it was just intense — so it helped me to go further, to not be afraid on stage, to not be anxious the whole time, to not want to keep total conscious control.”
In verband met onderstaande video ‘Flababble’ zegt Blonk het volgende: “I was very surprised myself at seeing what’s really happening when you do that. It only moves this much if you do it really fast. [Shakes head and makes “cheek squeak” sound.] But at normal speed, it’s too fast to see what’s actually happening.”







